Free PDF The Oxford Classical DictionaryBy Simon Hornblower, Antony Spawforth, Esther Eidinow

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A Booklist 2012 Editors' Choice Selection

For more than half a century, the Oxford Classical Dictionary has been the unrivaled one-volume reference work on the Greco-Roman world. Whether one is interested in literature or art, philosophy or law, mythology or science, intimate details of daily life or broad cultural and historical trends, the OCD is the first place to turn for clear, authoritative information on all aspects of ancient culture.

Now comes the Fourth Edition of this redoubtable resource, thoroughly revised and updated, with numerous new entries and two new focus areas (on reception and anthropology). Here, in over six thousand entries ranging from long articles to brief identifications, readers can find information on virtually any topic of interest--athletics, bee-keeping, botany, magic, religious rites, postal service, slavery, navigation, and the reckoning of time. The Oxford Classical Dictionary profiles every major figure of Greece and Rome, from Homer and Virgil to Julius Caesar and Alexander the Great. Readers will find entries on mythological and legendary figures, on major cities, famous buildings, and important geographical landmarks, and on legal, rhetorical, literary, and political terms and concepts.

  • Sales Rank: #651166 in Books
  • Published on: 2012-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 2.80" w x 10.90" l, 6.40 pounds
  • Binding: Hardcover
  • 1792 pages

Review

"Rich, varied, and highly reliable... Magnificent. An indispensable reference for individuals and libraries alike." --Library Journal (starred review)


"The Oxford name has authority in reference circles, but the invariable question in these days of easy web access is whether the price of the print work is justified. The answer, in the case of The Oxford Classical Dictionary, is a resounding yes. ... A brilliant starting place for research into just about any facet of classics one can think of, with a depth and richness of cross-referencing that makes it an ideal and elegant tool." --Booklist (starred review)


"Scholarly and succinct, The Oxford Classical Dictionary is itself a classic. Perhaps the most appropriate encomium is that it remains the source of first resort for novices and experts alike. Summing Up: Essential." --Choice


"Authoritative and informative, the work is the best single-volume classical dictionary in English and an essential desktop reference ... It truly has, as its editors claim, 'no competitor in any language.'" --MLA Literary Research Guide


About the Author

Simon Hornblower is a Senior Research Fellow in Classical Studies at All Souls College, Oxford. Antony Spawforth is Professor of Ancient History at the University of Newcastle. Esther Eidinow is Reader in Ancient Greek History at Newman University College in Birmingham.

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  • Sales Rank: #677717 in eBooks
  • Published on: 2016-01-19
  • Released on: 2016-01-19
  • Format: Kindle eBook

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The Logic of God IncarnateBy Thomas V. Morris

Book by Morris, Thomas V.

  • Sales Rank: #3637533 in Books
  • Brand: Brand: Cornell Univ Pr
  • Published on: 1986-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.00" l,
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

About the Author
Chairman of the Morris Institute for Human Values in Wilmington, North Carolina. He taught philosophy at the University of Notre Dame for fifteen years and was the recipient of numerous awards for teaching excellence. He is also the author of Philosop

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Download PDF The Functional Art: An introduction to information graphics and visualization (Voices That Matter)

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Review

“Welcome to Alberto’s world. Cairo has done it all in The Functional Art: theory, practice, examples. And he’s done it brilliantly. It is the most comprehensive and sensible book yet on real-world information graphics; we won’t need another one for a long time.” – Nigel Holmes, former graphics director for Time magazine and founder of Explanation Graphics “If graphic designer Nigel Holmes and data visualizer Edward Tufte had a child, his name would be Alberto Cairo. In The Functional Art, accomplished graphics journalist Cairo injects the chaotic world of infographics with a mature, thoughtful, and scientifically grounded perspective that it sorely needs. With extraordinary grace and clarity, Cairo seamlessly unites infographic form and function in a design philosophy that should endure for generations.” – Stephen Few, author of Show Me the Numbers “ This book is long overdue. Whether you’re just getting started visualizing information or have been doing it all your life, whether you're looking for a basic understanding of visualization or a detailed how-to reference, this is the book you’re looking for. Alberto Cairo, a professional journalist, information designer, and artist, shows how to visualize anything in a simple, straightforward, and intelligent way.” – Karl Gude, former infographics director at Newsweek and Graphics Editor in Residence at the School of Journalism, Michigan State University “The Functional Art is brilliant, didactic, and entertaining. I own dozens of books on visual information, but Cairo’s is already on the shortlist of five that I recommend–along with those by Edward Tufte, Nigel Holmes, and Richard Saul Wurman–to anybody who wishes to have a career in information graphics. Cairo is one of those rare professionals who has been able to combine real-world experience with the academia.” – Mario Tascón, director of Spanish consulting firm Prodigioso Volcán "Read It. There is really nothing else to say. If you care about how visualization is used to communicate to people, this is the book for you. If you’re a journalist, you need to read it. If you’re an academic doing visualization research, you really, really need to read it. This is the stuff we’ve been missing in visualization for the last 25 years." -Robert Kosara, EagerEyes "If you’re interested to find the right balance between aesthetics and function in the context of data visualization, you cannot avoid Alberto Cairo’s The Functional Art, probably the best data visualization book published in 2012." -Jorge Camões, www.excelcharts.com

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Product details

Series: Voices That Matter

Paperback: 384 pages

Publisher: New Riders; 1 edition (September 1, 2012)

Language: English

ISBN-10: 9780321834737

ISBN-13: 978-0321834737

ASIN: 0321834739

Product Dimensions:

7 x 1 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

45 customer reviews

Amazon Best Sellers Rank:

#188,344 in Books (See Top 100 in Books)

It's a great text and really essential reading if your in data visualization, however execution is lacking. The fine print is too small on many visuals. For a book on visualizations, this needed to be coffee-table-book sized.

A great read for anyone working in media, advertising or business. It gives a good overview of how to present data to answer the underlying questions, and give the reader the tools to dig deeper. No need to spend $999 on Barbra minto when this gives you as good tools for developing a powerful presentation.The interviews in the last part gives a wider perspective across leading newsrooms and into the digital realm.DVD makes for a lecture in your home. Alberto is engaging, and it serves a good second take on the material.

I really wanted to like this book. The author appears to be deeply thoughtful, observant, well-read and experienced. The book is attractively designed with many color examples of infographics and other visual displays.But the ideas are incomplete. For instance, the author goes to great pains in chapter 3 to construct a "visualization wheel" - an analytical framework for categorizing your infographic. More functional or decorative? More literal or abstract? Etc. I was getting excited! But the author just kinds of leaves it at that. It's rarely referenced again in the book and turns out not to be a very useful planning tool at all. So why did we spend an entire chapter on this?Similarly, chapters 5-7 go deep into understanding how vision works: eye saccades, the blind spot, guessing what the picture is without full information, etc. Interesting stuff, but again, it doesn't lead to any great insights. Nothing that couldn't have been expressed without the optometry lesson.Still, there are some useful ideas in here. Gestalt principles are important. The quick review of Bill Cleveland's research on more accurate graphing techniques. When to use detailed versus abstract imagery. All good ideas.But there just weren't enough of them. And too many chapters that went deep into some topic but didn't bring back any good insights.So, 3 stars for some good ideas. But this book should have been a lot better.

Had to read for school, but actually really enjoyed it.

I bought this book for my husband at his request and he is very happy with it, it exceeded his expectations. He is using it for reference at his work as a scientific illustrator.

I liked the way the content is presented. Alberto reviews multiple aspects related to visualizations, from perception to design. The only thing I didn't like was that the profiles section was a little long. Also, I would have expected a "where to go form here" section at the end. Anyways, I think I would recommend this book to anybody interested in learning more about visualizations and infographics.

Great book for people involved in design and information graphics.

In The Functional Art, Alberto Cairo has written a real standout in the new wave of books about data visualization. His book weaves visualization theory and techniques with real applications and critiques about existing visualization projects. One of the reasons why I think Cairo's book succeeds is that he has background as both a journalist--specifically, data journalism--and as an academic (at the University of North Carolina-Chapel Hill and the University of Miami).In the first part of the book, Cairo explains what I take away as three main tenets of good data visualization practice: first, good graphic techniques and strategies (minimal use of pie charts, reducing non-data ink, etc.); second, how to create eye-pleasing graphics (how to choose color, fonts, layout, etc.); and, most importantly, how to use data visualization to tell a story. I think this is where The Functional Art really stands out as a great reference--Cairo shows you how to use data visualization not as a way to just show your data or to create a tool for people to explore your data, but as a way to be a storyteller with data.The second part of the book is more about the eye-brain connection--how we as humans perceive different shapes, colors, etc. Cairo isn't a cognitive scientist, but he's done a great job pulling from the literature and summarizing the issues and, importantly, how to use that knowledge to create better graphics.These two first parts of the book will be helpful for anyone who has ever created visualizations before or who are just starting out. The graphics used in the book are all excellent and should inspire you to try to similarly create great visualizations.Finally, in the last part of the book, Cairo profiles 10 prominent data visualization experts and creators. For me, this section wasn't as exciting as the first two parts, but there are definitely nuggets of wisdom from some of the interviews and is something that you really can't find in a single source anywhere else.Also, just a final note about the DVDs that are included with the book. The DVDs are basically a summary of each of the chapters, but the last two are especially interesting. In lecture 10 (Gay Rights), Cairo discusses a graphic produced by The Guardian magazine and why this particular use of a circle graphic works. Since there is a continuous debate about circles in the data visualization field--see also Chapter 2 in the book--this is a nice video on why circles can work in certain circumstances. In lecture 11 (Obesity and education), Cairo shows how he creates some basic graphics in Adobe Illustrator, which is great if you're not too familiar with that software (though I would never have the patience to make a map in Ai!).

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Those who behold the Sacrament of the Eucharist, consecrated by the priest, but only see the appearances of bread and wine, and do not believe by the grace of the Spirit that these are really the Body and Blood of Christ, condemn themselves, since they do not believe the testimony of the Lord Himself who said, 'This is my Body and Blood of the new covenant,' and promises, 'Whoever eats my Flesh and drinks my Blood has eternal life" (Jn 6:56) - St Francis of Assisi

  • Sales Rank: #410448 in Books
  • Published on: 2009
  • Number of items: 1
  • Binding: Paperback
  • 330 pages

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Download Hermann Hesse: Pilgrim of Crisis (Abacus Books)By Ralph Freedman

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Hermann Hesse: Pilgrim of Crisis (Abacus Books)By Ralph Freedman

Hermann Hesse: Pilgrim of Crisis (Abacus Books)By Ralph Freedman


Hermann Hesse: Pilgrim of Crisis (Abacus Books)By Ralph Freedman


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Hermann Hesse: Pilgrim of Crisis (Abacus Books)By Ralph Freedman

  • Sales Rank: #8812204 in Books
  • Published on: 1981-03-26
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 448 pages

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Ebook Download Guitar Fretboard Workbook

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Guitar Fretboard Workbook

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Guitar Fretboard Workbook

Review

A progressive teaching method that offers a clear roadmap through the tangles of the fretboard maze. —Gary Joyner, Acoustic Guitar -- Acoustic Guitar Magazine, July 2004

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From the Author

This book clearly relates the fretboard to the same musical principles all professionals on any instrument use, teaching the practical hands-on basics without glossing over the theory every guitarist should know. It does not invent its own terminology or pattern numbering system, a problem that has lessened the value of many books like this in the past. The CAGED-based fretboard system used has world-wide recognition and a long historic basis, refined and tweaked in Musicians Institute curricula since 1977 by hundreds of instructors after its introduction by Howard Roberts in the early 1970s. You'll cover everything you need for a rock-solid foundation, including modes and slash chords. You'll understand and play (anywhere on the neck!) any scale or chord you encounter or imagine. Besides offering you a chance to completely grasp the guitar, this method assures you will be able to communicate with other trained musicians no matter what their instrument. The book was designed for use in three arenas: private lessons, classroom instruction, and personal study by the motivated individual. There are 22 short chapters of very gradually increasing difficulty, suitable for teaching in 20-30 minute time frames. Each chapter has modest written and playing assignments, with all the answers in the back of the book. The text was written specifically to be concise, informative, and fun, yet easily understood by non-native English speakers. After over a year of intense work, I'm happy to present this book. Please use and enjoy it.

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Product details

Series: Musicians Institute: Essential Concepts

Paperback: 82 pages

Publisher: Musicians Institute Press; 2 edition (August 1, 2003)

Language: English

ISBN-10: 0634049011

ISBN-13: 978-0634049019

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

292 customer reviews

Amazon Best Sellers Rank:

#30,410 in Books (See Top 100 in Books)

The subtitle for this book is "A complete system for understanding the fretboard".This book is focused on understanding the fretboard and excels at making the reader understand getting intimate with the fretboard.I like that this book doesn't pretend to be anything it is not; no promises of cool licks, hot riffs, blazing shredding etc.The book deals with THEORY and does a pretty good job of explaining it well. Like all good instructional treatises, this isn't a book you read in a day or even week or even a month. You use it, bit by bit, come back to old bits again, read new material, go back to old material etc.It's a book you keep handy on your bookshelf, a ready friend when you need one.It's a bit dry, though, be warned. It's not a dummy's guide and doesn't treat you like an idiot. It'll teach you all you need to know how to play lead and rhythm without actually teaching you and licks or riffs. How about that?Overall, it's a good book that I'll be happy to recommend to anyone who wants to understand the guitar fretboard.

I've not yet this book for a year yet and it's literally reinventing me as a guitar player. I don't get nearly the time I'd like to practice/play so I need to make the most of it. I was initially self-taught and then did a private lessons for a few years prior to quitting due to health reasons. A few decades later the itch came back with a furry and I was determined not to squander it. I bought this book based on recommendations and am so glad I found it.The approach of this book assumes you're coming from nothing but motivation and the end looks darn scary to the likes of me, but I've seen nothing but steady forward progress that builds incrementally so that no step forward is too high to reach. The author has done an impeccable job of breaking down a complex subject and made it possible for anyone to learn. Some (most?) of music theory is so old that it often seems arcane and unnecessarily complex (or even wrong from a mathematical PoV). Yet it works and has stood the test of time... a LOT of time, so why fight it? I'm glad to finally be on the road that eliminates all the mystery. I can't imagine a learning approach any more straightforward that what's presented here. It's easy to understand and to skip parts that you might already know.

This is a very thorough book and with some of the best explanations and exercises I have encountered. The guitar itself requires time and effort to play it well. A student needs to know the laytout of the instrument, where the notes are and how they relate to each other. Then they can make sense of their warm-up exercises and scales. Soon chords and melody are not as daunting as they were when the student didn’t know where to go on the fretboard. The fretboard is a lot harder to understand than the piano, for example! I appreciate the 5-pattern approach to explanation over the CAGED method. Too many teachers start students with a song or a chord by saying put your index finger on the second string at the first fret, etc., instead of teaching the notes right away so he/she can say, “put your finger on C on the second string...or on the 5th string, or the 1st string, or 6th string, or the 3rd string...”. Get my drift? The Guitar Fretboard Workbook is not teaching technique but it will accelerate playing progress through thorough understanding of the guitar. Bravo for a book well structured!

I love this book! I have been playing the guitar for 37 years and never seen a book quite like this one. I have used Mel Bays 1-8 series, Frederick Noad, Hal Leonard, Leavitt Berkeley 1-3, Segovia and many other compilations. This book stands alone as a must have for any guitar player desiring to excel on the fretboard, play lead, tacets, licks, etc. Scales over chords is the basic theme here and the book teaches several methods for viewing the fretboard in different manners not taught by any other method I have seen. The author has you visualize the notes on the fretboard by drawing out relationships such as the 5 shapes method, the half-steps method (E-F & B-C) to name a couple. This is a must have for any serious guitarist!

I'm about 60% through the book and, so far, I think it is great. I think that focusing on the root shapes rather than chord shapes (CAGED system) is a better approach. Once you recognize the major scale patterns and know the root shapes, you can play any scale, anywhere on the fretboard. Pentatonic and minor scales can then be easily derived from within the major scale patterns. The exercises help to instill a solid understanding of the concepts. If you want to understand your guitar better and play up the neck, this is the book for you.

This book is absolutely what I've been looking for. I'm a conceptual guy, and I like explanations, not just instructions. The author says that he figured out that his students who learn the skills in this book do well. By going through the book and taking time on each topic, I feel I'm coming to understand the guitar. Hopefully this will let me feel comfortable and confident and be creative. I'm a beginner, and this is at the right level for me.

OMG I am currently on Chapter 7, and cannot help writing a good review on this book already. After so many guitar classes and $$ wasted and still don't have a complete understanding of the fretboard, this book really helps me understand all the bits of guitar fretboard theory in a systematic way. I am so thankful for the author to write up this book, it has helped me so much and I truly enjoy the `WOAH` moment in every single chapter, it's enlighning and now I have a much clearer goal what I should be working on to improve my understanding on all the notes on the fretboard.

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Guitar Fretboard Workbook PDF

Guitar Fretboard Workbook PDF

Guitar Fretboard Workbook PDF
Guitar Fretboard Workbook PDF